An 18th century village in the English countryside is suffering from mysterious attacks in which young women lose their lives, having their youth drained out of them and being turned into dying geriatrics. Enter our swash-buckling hero, Captain Kronos, who is here to investigate and to bring and end to these attacks.
Captain Kronos was one of the last releases of the famous British horror forge Hammer Studios before their decline. Rumour has it that Hammer, desperately in need of a hit, had planned this film as the first of an ongoing franchise in which Kronos would hunt and fight various other supernatural baddies, not just vampires. And certain aspects of Captain Kronos certainly point in that direction. Alas, the film’s poor box office performance as well as Hammer’s persistent financial turmoil buried those plans.
There is very little to say about this film. It is supposed to take place at some time in the late 1700s, I guess, and it is very much the kind of film you would expect from Hammer. Music, sets, and costumes are all very much ‘70s horror – so the film is a bit run-of-the-mill, but all-in-all rather competent and not too cheap-looking. The practical effects are far from great, but they are used very cleverly. Although some things come across as ridiculous (such as the switch of actors to display the fast-aged young women), I can respect that everything here is intended to be cost-sensitive as well as aimed at covering up the technical limitations of the day. The fight-scenes, however, are a bit of a let-down, as they seem sub-par.
Captain Kronos has German actor Horst Janson in the title role, a man with perennial youthful looks who turned 80 last year. Looking at his filmography, one can see that he has had a quite diverse career in German cinema and TV both before and after Captain Kronos (including a long run as one of the human protagonists on German Sesame Street), but also appeared in many an international production. So, unlike most German actors, he can lay claim to having collaborated in projects with the likes of Peter O’Toole, Anthony Perkins, Richard Burton, Roger Moore, Charles Bronson, and Tony Curtis.
While Janson had the looks and the acting chops required, in the end Hammer found Janson’s German accent too distracting, so they brought someone in to dub over his lines afterwards. Maybe this is one of the reasons why it took so long to release this film, which was originally shot in 1972.
Horst Janson gives a good performance in this film, as do many other actors in the cast. Unfortunately, some actors struggle with the rather clunky dialogue, and thus some of the performances feel forced or even hammy. The execution of the script is overall too clumsy, I feel. Many scenes just happen one after another. They are clearly connected, but still do not feel like they purposefully lead into each other. Also, Captain Kronos is to some degree a story about an investigation; and this detective story side of the film is more mediocre than convincing.
This is not a great film, but not bad either even if it has not aged all that well. For example, as this is 1972, Kronos’s relationship with women seems to be modelled on Connery’s Bond. I guess 5.0 to 5.5 out of 10 would be a fair assessment for this film (after you have thrown in some extra decimal points for nostalgia and alleged cult status), so imdb’s current average of 6.6 seems too generous to me.